Mona Gray is a 20-year-old loner who, as a child, turned to math for salvation after her father became ill. As an adult, Mona now teaches the subject and must help her students through their own crises.

When librarian Taylor Harris suddenly loses her job, she decides to visit her brother in a small town in Montana. There, she gets involved in the fight to help save her brother's hotel from tycoon Joel Sheenan, who wants to renovate it.

Luisa and Erika are prototypes of young women who plunge into relationships with the "wrong" men. Luisa wants to become an actress, which upsets her husband Igor to no end. Erika is trying to work as much as possible so that she can afford to study and thereby achieve a better outlook on life, but she unfortunately runs up against a boss who doesn't have the best intentions with her. Ultimately Luisa's husband demonstratively commits suicide. Erika accidentally kills her boss in self-defense... The women blame themselves for all these failures, and that has got to change. Both have to grow up and start living again. Perhaps even together.

Documentary that delves into the film's production in good fashion

In the shadow of South Africa’s Kruger National Park, a mysterious killer begins executing local poachers. As the body count rises, local Inspector Jack Phatudi is drawn into a dangerous manhunt to unmask the vigilante.

Yoon-hee is so harassed by her husband's obsession and frantic love, that even breathing is painful to her. One day, her sudden suicide attempt is foiled when someone takes her in his arms and saves her. Hyeong-joon is a rough-looking detective. He asks nothing, but maybe he knows that for some people, just being alive is hard enough.Yoon-hee goes looking for Hyeong-joon, and from the moment she sees him, feels that he already loves her deeply. Because she knows it is totally impossible to be free from her prison of marriage, the peace and happiness she feels at Hyeong-joon's side is heartbreaking and frightening. Hyeong-joon, used to his life of loneliness and despair, loves Yoon-hee at first sight, but as he can't do anything for her, just lets her go. The only thing he can do is to offer her and himself some comfort.

A transitional film at the end of his first decade of filmmaking, James Benning’s Grand Opera introduces a degree of storytelling to his previously more formalist devices. Benning calls the film his “first attempt at writing my own kind of history” and, in a sense, it also serves to write himself into history, acutely measuring his place as a Midwestern experimental filmmaker, then based in Oklahoma, in relationship to the avant-garde scene situated in New York. The film thus features homages to the prominent experimental cinema of the time, including a spoof of Wavelength, as well as cameos from Michael Snow, Hollis Frampton and Yvonne Rainer. Woven with these sequences are other characteristic Benning gambits – a compilation of every house he ever lived in, a preoccupation with the history of Pi, and the looming threat that a building will explode.

A deranged scientist discovers a formula by which to make himself invisible, but is driven mad by his inability to reverse the formula and is evoked to use his invisibility to terrorise those around him.

Inspired by the original 1897 novel by H.G. Wells, the pilot film depicts Daniel Westin working for a company called the Klae Corporation, which is doing experiments in teleportation. He discovers the side effect of his work is the ability to turn objects invisible.

Inspired by the original 1897 novel by H.G. Wells, the pilot film depicts Daniel Westin working for a company called the Klae Corporation, which is doing experiments in teleportation. He discovers the side effect of his work is the ability to turn objects invisible.